Matthew Woodson’s Fire in the Sky Screen Print: Edition Size, Price and Release Details

Matthew Woodson’s alternative poster for Fire in the Sky puts atmosphere ahead of spectacle. The image centers on Travis Walton’s red truck as it approaches a UFO and an alien presence among Arizona’s trees, giving the 1993 film a striking new collectible format. Bottleneck Gallery is bringing the artwork to collectors as a hand numbered screen print, alongside a much smaller acrylic panel edition.

Two editions, with different formats

The principal edition measures 24 by 36 inches, is screen printed, and is limited to 100 pieces. Each print is hand numbered. Bottleneck Gallery lists the price at $60, with the sale set to begin at 12 p.m. ET on Tuesday, October 13, through BottleneckGallery.com.

A separate acrylic panel edition offers a different way to present Woodson’s composition. It uses a 4mm thick acrylic panel and archival pigment inks, with just 15 pieces listed. Its retail price is $125. The source does not specify numbering for this edition, so the hand numbering detail applies to the screen print as described.

For collectors weighing the formats, the useful distinctions are the production method, the support, the edition size and the listed price. The screen print is the larger edition and the lower priced option; the acrylic panel is the more limited format and costs more. Those details describe the offerings, while the choice between them will come down to how a collector wants the image to look and fit into a collection.

Woodson’s composition keeps the film’s tension in view

Bottleneck Gallery says it became interested after seeing Woodson share a complete alternative movie poster for the film. The gallery describes the design as subtle and evocative, with a distinctive palette intended to draw attention to key parts of the scene. Its central arrangement gives the truck a clear place in the foreground while the threatening presence ahead supplies the image’s suspense.

That visual balance makes the poster legible as both a film image and a standalone piece of art. The truck anchors the scene in a recognizable human setting; the forest and UFO shift the eye toward the unknown. Rather than relying on a crowded composition, Woodson’s described approach uses color and placement to guide attention. For fans of the film, that offers a fresh interpretation of a key premise. For poster collectors, it gives the edition a defined subject and a strong central image.

The source identifies the movie as the 1993 alien abduction film Fire in the Sky and names Travis Walton in describing the artwork. It does not provide further production credits, paper specifications for the screen print, or details about the numbering method. Collectors comparing listings should therefore rely on the stated size, medium, edition count and price, and check the seller’s product page for any additional handling or display details.

A bonus print comes with each screen print order

Every order of the screen print is set to include a free copy of Hans Woody’s WHALEFALL, an offset print measuring 12 by 18 inches. That bonus is described specifically for screen print orders; the source does not say whether acrylic panel orders qualify. A separate product image is included below.

The offer also makes the screen print order a two image package: Woodson’s 24 by 36 inch movie poster plus Woody’s smaller offset print. The bonus is a separate artwork, not an alternate version of the Fire in the Sky design, and its stated 12 by 18 inch dimensions may matter for anyone planning a shared display or storage arrangement.

Details to keep with the listing

The release information centers on a handful of specifics: Matthew Woodson is the artist; Bottleneck Gallery is the seller; the screen print measures 24 by 36 inches, is hand numbered, and is limited to 100 pieces at $60; and the 4mm acrylic panel edition uses archival pigment inks, is limited to 15 pieces, and is priced at $125. The listed start time is 12 p.m. ET on Tuesday, October 13, at BottleneckGallery.com. Each screen print order is also described as including Hans Woody’s 12 by 18 inch WHALEFALL offset print.

For collectors tracking movie posters, this release stands out through its focused scene, two distinct production formats and clearly stated edition sizes. Keep the format and bonus terms attached to any saved listing, since those are the practical details that distinguish the two options.

Woodson’s print turns the film’s encounter in the Arizona forest into a carefully staged image, with the red truck offering a vivid point of entry. The edition details give collectors a straightforward way to compare the screen print and acrylic presentation before the scheduled sale.