Anthony Petrie’s Creature from the Black Lagoon Screen Print: Editions, Sizes and Sale Details

Anthony Petrie’s Creature from the Black Lagoon screen print makes the monster part of its setting: the lagoon’s fish and plants conceal the Creature as it rises from the floor. That visual approach gives collectors a reason to look closely at the artwork, while the two edition options offer distinct finishes and clearly stated quantities.

A lagoon scene built around concealment

Bottleneck Gallery describes the work as an alternative movie poster and the latest entry in Petrie’s Universal Monsters series. The composition places viewers at the lagoon floor, where fish and underwater flora disguise the emerging figure. The result links the monster’s presence to the environment around it: the plants and aquatic details aren’t just background, but part of how the Creature is revealed.

That relationship between subject and setting is the central collecting detail here. Petrie’s series, as Bottleneck Gallery explains it, brings the source material together with each monster’s personal aesthetic. For this print, the underwater habitat gives the image its defining visual idea. A closer look can reward attention to how the figure sits among the fish and foliage, and to the way those elements guide the eye through the scene.

The gallery’s description conveys its enthusiasm for the piece, but the practical information for buyers is specific: both versions are hand numbered screen prints, share the same 24”x36” format, and have separately stated edition sizes and retail prices. The glow in the dark variant adds a material feature that the regular edition does not list.

Two editions, with different quantities and prices

The Regular Edition is limited to 125 pieces and is listed at $50. The GID Variant, which uses glow in the dark ink, is limited to 75 pieces and is listed at $60. Both are 24”x36” and hand numbered. The source does not provide separate artwork dimensions, paper details, or further information about the numbering method, so collectors should rely on the stated specifications when comparing the editions.

The edition counts make the distinction between the two versions clear: the glow in the dark variant has the smaller announced quantity, while the regular version has the lower listed price. Those details describe the release; they don’t establish how either edition will perform on the secondary market. For collectors choosing between them, the most direct considerations are the listed finish, edition size, price and the look they want to live with or display.

Display and handling considerations

At 24”x36”, the print calls for a display space that can accommodate its full dimensions. Before framing, measure the intended wall area and confirm that the frame or mat will suit the print’s size. The source does not specify paper stock or whether the prints arrive framed, so those details should be checked with the seller when planning a display.

As with other paper collectibles, careful handling helps keep the surface in good condition. Keep fingers away from the printed area when possible, and avoid bending or rolling the print sharply. For long term storage, a clean, dry space and a protective sleeve or flat archival storage can help limit handling wear. Display choices also matter: direct sunlight and damp conditions can affect paper and printed color over time. These are general care considerations rather than special instructions supplied for this release.

The GID Variant’s glow in the dark ink is its stated distinguishing feature. The source doesn’t describe how much of the image uses that ink or the conditions needed to view its effect. Collectors interested in that feature may want to confirm those specifics before purchase; the regular edition remains the straightforward choice for anyone who prefers the listed standard colorway.

Sale timing and source details

Bottleneck Gallery lists both colorways for sale at 12pm ET on Tuesday, July 28th, through BottleneckGallery.com. No year is given in the source, so the date is reproduced as stated. The article also links to Anthony Petrie’s website.

For collection records, keep the edition name, hand numbering, dimensions, stated quantity and purchase details together. That makes it easier to distinguish the 125 piece Regular Edition from the 75 piece GID Variant later, especially if the print is stored outside its original packaging. The release’s appeal rests in a recognizable monster rendered through a detailed underwater scene, with the two finishes offering distinct ways to collect Petrie’s latest Universal Monsters poster.