Jack Gregory’s The Dark Crystal Screen Print Brings Jen, Kira and the Skeksis Into Focus

Jack Gregory’s new alternate poster for Jim Henson’s The Dark Crystal centers its appeal on the film’s unusual mix of dark fantasy, memorable characters and elaborate puppeteering. Bottleneck Gallery describes Gregory’s composition as bringing Jen, Kira and the Skeksis together with an approach reminiscent of Star Wars. The result is presented as a tribute to a cult classic, while giving collectors a new piece of artwork to consider in two distinct formats.

The standard edition is a 24-by-36-inch hand-numbered screen print, limited to 125 pieces. Bottleneck Gallery lists it for $60. A second option, titled the Variant Acrylic Panel Print Edition, is made on a 4mm-thick acrylic panel using archival pigment inks. That edition is limited to 35 pieces and priced at $125. The smaller run and different materials make the two versions distinct choices for collectors deciding between a conventional poster print and a rigid panel display.

Two formats, two display options

The screen print’s dimensions give it the familiar proportions of a full-size movie poster. Its hand-numbered format also means the edition is individually marked, while the stated limit of 125 defines the announced run. For collectors who focus on poster art, those details are useful points of comparison with other prints in a collection: size, medium, edition total and the artist’s interpretation of the film all help identify what makes this release specific.

The acrylic panel edition changes the physical presentation. At 4mm thick, it is a panel rather than a paper poster, and Bottleneck Gallery specifies archival pigment inks as part of its production. The source does not provide additional information about mounting, framing or care, so collectors should rely on the seller’s product details for those practical questions. The listed materials and thickness do, however, make clear that this version is intended to be considered separately from the screen print.

There is a sizeable price difference between the two editions: the screen print is listed at $60, while the acrylic panel is $125. The source does not give a reason for the difference, so the clearest comparison is the one provided by the specifications. Buyers can weigh the print’s larger edition and poster format against the acrylic version’s smaller run and panel construction, according to their own collecting and display preferences.

A new take on a cult fantasy film

Bottleneck Gallery characterizes The Dark Crystal as a masterwork of puppeteering and points to its rich lore and colorful cast as defining parts of the film’s lasting appeal. Gregory’s poster takes that established world as its subject, with Jen and Kira set alongside the Skeksis. The gallery’s description highlights the contrast between the film’s central characters and its sinister antagonists, framing the image as a love letter to the original movie.

That approach gives the release a clear focus for collectors: it is an artist-made alternate movie poster tied to a specific film, rather than a general fantasy print. The named characters and the gallery’s comparison to Star Wars offer clues to the composition’s intended visual feel, but the available description does not spell out further design details. The accompanying images provide the best view of Gregory’s artwork and its presentation.

Sale details

Bottleneck Gallery scheduled the prints to go on sale at 12pm ET on Thursday, July 30th, through BottleneckGallery.com. No year is specified in the source, so the date is best read as the release detail given by the gallery rather than assigned to a particular year here.

For anyone tracking the release, the key facts are the artist, the film, the two formats, their edition limits and their listed prices. The hand-numbered screen print offers the larger run at $60; the acrylic panel version has a 35-piece limit and costs $125. Collectors can compare the images and the format details before deciding which presentation better fits their shelves or walls.

Gregory’s release pairs a recognizable fantasy world with a concise set of collector details. The 24-by-36-inch screen print and 4mm acrylic panel edition give the same film tribute two different physical forms; the stated edition sizes and prices make the distinction easy to assess. For fans of The Dark Crystal and collectors of alternate movie posters, those specifications are the practical starting point for choosing between them.